October 19, 2011
I love the Southwest United States and any excuse for a visit is fine.
The image nearby shows the bright blue skies of Albuquerque, NM. It’s rare to see clouds and there is not much rain. Image: the Internet.
My trip to Albuquerque, NM was for art and business and to attend the Board of Directors meeting of the Society of Layerists in Multi-Media (SLMM).
I arrived on Sunday. On Monday, we had a marathon business session to discuss an upcoming conference in Taos, NM in 2012 with speakers, a panel presentation, workshops and a reception for an exhibition at the Millicent Rogers Museum in Taos, NM. It will be the 30th anniversary of the founding of SLMM.
The Millicent Rogers Museum includes historic Native American Arts, Hispanic Arts, the Maria and Julian Martinez Pottery Collection, Contemporary Arts, and Jewelry from Northern NM.
Read about the premise of SLMM and a recent book about SLMM titled Visual Journeys: Art of the 21st Century, co-edited by Mary Carroll Nelson and Nina Mihm.
The image nearby shows Native American jewelry from the Millicent Rogers Museum collection. Image: the Internet.
I planned a day-trip to visit Santa Fe galleries.
FAVORITE GALLERIES IN SANTA FE
Site Santa Fe was closed for installation, The next exhibition is titled Agitated Histories (October 22, 2011 – January 15, 2012).
CAN YOU CHANGE YOUR MIND?
It’s a good thing I’m pretty flexible, because the plans changed.
Instead of visiting galleries, I joined my art colleagues and visited Santa Fe artist’s studios. I couldn’t say no to that kind of opportunity.
First stop was a visit to Paula Roland’s studio. She is currently showing encaustic on paper at William Segal Gallery, 540 South Guadalupe Street, Santa Fe through October 25th. It’s an impressive gallery and her work is gorgeous.
I took the image nearby of Paula Roland in her studio. She is demonstrating her encaustic printmaking process.
Paula has instructional DVDs for beginner to advanced artists on the basics of encaustic and printing with wax.
We left Paula’s studio and went to lunch at El Charro, a popular restaurant in town.
At lunch I sat next to Sandra Duran Wilson, a member of SLMM, and the author of 2 books: Image Transfer Workshop: Mixed Media Techniques for Successful Transfers (with Darlene Olivia McElroy), and Surface Treatment Workshop: Explore 45 Mixed Media Techniques (with Darlene Olivia McElroy).
Sandra Duran Wilson calls herself an abstract collage artist. She says her mixed media paintings include printmaking, transfers and acrylic, and some have Plexiglas panels embedded into wood panels to add depth.
The image nearby is titled Evolutionary Dance. It’s 30×30 inches, acrylic and mixed media. Image: the Internet. See her works online.
COLLAGE GOODIES ON THE OLD PECOS TRAIL
After we left Sandra Duran Wilson’s studio, we drove to Laura Stanziola’s place on the Old Pecos Trail. Laura collects and sells an incredible assortment of vintage papers, books, old postcards, doll heads, game boards and ephemera right out of her home. She is called the Queen of Ephemera. Read more about Laura at Darlene Olivia McElroy’s blog. Darlene is co-author with Sandra Duran Wilson of the books mentioned above.
I did buy stuff from Laura Stanziola. It was irresistible and it will all find a way into my collages (or other people’s collages).
The image nearby is my photo of wispy clouds seen outside Laura’s home. I was standing on the hillside and I think I almost stepped into a snake hole. It’s a good thing I remembered to look where I’m walking when I’m in New Mexico.
We ate dinner in Santa Fe, and drove back to Albuquerque.
The following day, Wednesday, I visited a fabulous exhibition titled Hispanic Traditional Arts of New Mexico at The Albuquerque Museum of Art and History (September 18, 2011-January 8, 2012).
The exhibition included masterworks in religious image making in wood, sculpture, tinwork, filigree, colcha embroidery, weaving, and straw applique, all from the permanent collection of the Albuquerque Museum dating from the Colonial era to the present by Hispanic artists in New Mexico,
In addition to historic objects, the exhibition includes contemporary works by many artists who work in the same traditional art genre.
The image nearby is by Monica Sosaya-Halford, Reredo, 1982, acrylic and gesso on pine, Gift of Anheuser-Busch Companies, Inc. Image: the Internet.
I will be back in New Mexico next year for the SLMM conference in Taos and a return visit to Santa Fe. I can hardly wait.