Closing Day: Hullaballoo Collective at Fountain 2014

March 11, 2014

Sunday, March 9, 2014 was the closing day for contemporary and modern art at Armory Week in NYC.

My previous post included images and comments about the opening night for the Hullaballoo Collective at FOUNTAIN (downtown Armory), including links from hyperallergic.com to information about all the Armory Week fairs.

Fountain is located at the 69th Regiment Armory, 25 Street and Lexington Avenue – it’s the site of the original 1913 Armory show.

I didn’t get to see all the fairs but did get to the uptown Armory show at 68th Street and Lexington Avenue, the site for the  ADAA (Art Dealers Association of America). Downtown Armory includes emerging artists. Uptown Armory includes national galleries who are ADAA members. Read about the ADAA here.

In upcoming blogs, I plan to write about 2 wonderful artists I met at FOUNTAIN (downtown Armory show), and the galleries I visited and fabulous collage art works I saw at ADAA (uptown Armory show). FYI: I saw 3 Romare Bearden collages at 3 different galleries at the ADAA show. Each one was a museum quality masterwork.

Sunday March 9, 2014

I arrived at Fountain Sunday about 4 pm and saw a crowded booth, crammed with artists and visitors looking at the art and talking in animated conversation.

Bernard Klevickas at Hullaballoo 2014

Bernard Klevickas at Hullaballoo 2014

This image above – the smiling man – is Bernard Klevickas. He organized the Hullaballoo Collective show at Fountain. I say he is the main person responsible for its success. The image is courtesy of Linda Tharp.

This is not the first show for Hullaballoo Collective at FOUNTAIN, and Bernard Klevickas is the point man, the person responsible for initiating and coordinating the project each time. Everyone in the Collective is  grateful for his skill, patience and dedication. We applaud him and thank everyone who helped with the show – the curator and people who worked long hours to hang, label, attend and promote the exhibition.

I didn’t get a good picture of Bernard standing next to his sculpture, so didn’t include my photo here. What you see is a group photo with Bernard taken by Linda Tharp.

Linda’s image above shows Bernard looking relaxed with artists and guests in the booth at Fountain. Notice his work on the wall behind his shoulder. It’s the small reflective metal sculpture in the far corner.

See even better images of Bernard’s sculpture here, including larger works – all shiny, contemporary metal and abstract.

Salon-Style

What is Salon Style? It’s a way to hang art, used typically for large group exhibitions where the works are arranged side by side and hung one on top of the other. Salon style dates back to the year 1670 and the French Royal Academy of Painting and Sculpture (they crammed in student  work in order to include it all). It had never been done before that time. The other way to hang art is call museum style.

At Hullaballoo, the curator mixed and matched two-dimensional works in all different media (paintings, prints, photos, collage, mixed media) with three- dimensional sculpture in all media, and also included floor installation with free-standing sculpture and works on pedestals. The booths had tall walls and generous space so a lot of work could be included.

closing day Hullaballoo Collective 2014

closing day Hullaballoo Collective 2014

In the image above you see a view from the Hullaballoo booth to booths beyond. Notice the art is all colorful and contemporary, all hung salon style. Image courtesy of Linda Tharp. See Linda’s work here.

Installation is an art

In my previous blog, I wrote that Marion Callis curated the installation this year, and credited her with an amazing job – placing so many works in the space in a way that was visually pleasing to everyone (artists and guests). I believe installation is an art form. People who do it well have a unique talent.

Hullaballoo Collective group photo

Hullaballoo Collective group photo

The image above shows almost everyone in a group photo at the end of the day. Image courtesy of Vincent Tsao.

Hullaballoo Collective taking down the show

Hullaballoo Collective taking down the show

The image above shows the Hullaballoo booth after the Armory show closed. Artists started to dismantle the exhibition. Notice that many works are removed from walls and pedestals, and artists are preparing to wrap their works to take home. Image courtesy of Linda Tharp.

Hullaballoo Collective dismantling the show

Hullaballoo Collective dismantling the show

The image above is another view of the booth and shows Hullaballoo artists wrapping their art as the installation is taken down late Sunday afternoon. Image courtesy of Linda Tharp.

Leaving the Armory show

Leaving the Armory show

The image above shows artists carrying their work from the Armory to the street after the show closed. Image courtesy of Linda Tharp.

I love all the architectural details in this photo. Notice the bronze number 69 in the floor of the entry to the 69th Regiment Armory and notice the great double doors into the great hallway. How vintage!

FINAL THOUGHTS:

I didn’t get to the Pier 92 and Pier 94 Armory shows. They were huge. One was modern art. One was contemporary art.

I decided to go to the uptown ADAA show and thought it was fabulous, for two reasons –  I saw works by great artists, many not seen by the public before – and I got to speak with gallery representatives about the artists and the works. Most of the galleries at ADAA show are located in NYC and I plan to visit them more often.

Please tell me if you attended the Armory shows at Piers 92 and 94, and include comments about what you liked and what you saw.

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