Solo exhibition: October 4-28, 2018
the Upstream Gallery, 8 Main Street, Hastings-on-Hudson, NY
I am pleased to write this interview about the artist Phyllis Famiglietti. She has a wonderful approach to the art of collage and will show 35 works in various media (October 4-28, 2018) at her first solo exhibition at the Upstream Gallery, 8 Main Street, Hastings-on-Hudson, NY. Meet Phyllis Famiglietti at the gallery reception, Sunday, October 7th, 2-5 pm. Visit the Upstream Gallery during regular Gallery hours, Thursday to Sunday, 12:30-5:30 pm. For information and gallery directions, call 914.674.8548 or visit the Upstream Gallery website.
Collage, Collage, Collage
Phyllis Famiglietti started creating paper collage about 7 or 8 years ago. Prior to that, she worked a lot in photography and in digital collage. She is a video editor who moves images around in her day job. As a break from sitting and looking at a computer screen all day, she took up the art of paper collage and found it very appealing. She says she loves the feeling of different papers in her hands and the stickiness of glue on her fingers.
Famiglietti’s collages are typically small and there are various groups that will hang together in the exhibition. The largest collages are 24” x 20” and the smallest are 7” x 9”. The older works were based very much on the Polaroid photograph. The more recent works have broken free. The artist says she’s been exploring frames, grids and quadrants in new and exciting ways.
The image above is titled Brandy Wine Creek. It’s a collage with various papers, including reproductions of old maps, an old brown envelope, some random pieces of magazine cut-outs and colored paper. It’s 24×20 inches, and one of 35 works on view at the Upstream Gallery.
Famiglietti said Brandy Wine Creek is actually her most recent piece, and it’s interesting as a departure for her, because she did it while away in Maine this summer on a vacation. She said the vacation location was…”totally off the grid…no flush toilet, no running water, no electricity…and the papers in the collage are just a hodgepodge of what was on hand and available. She added: “It was a great challenge for me. I’m sticking with my quadrants, but I’m a lot more relaxed here…. letting shapes flow in and out of each other in an organic, free-flowing way“. She let the colors dominate in a way she’d never done before and thinks, “The environment in which I worked is so apparent in this piece.”
Hunt and Gather – Cut and Paste
Famiglietti cuts and pastes papers that she finds interesting in terms of image, color or texture. She says she loves going to flea markets and especially library sales where she can pick up cast-off books. She adds: “I also frequent construction sites where advertising posters are mounted on surrounding green painted plywood. I’ll judicially collect pieces of these posters and layer them into my work.”
The image above is titled Sociology. It’s collage and the size is 16 x16 inches. Famiglietti says: “This work was done right after my Polaroid phase, and I think the grid and frames are informed by that previous work. There is a lot of layering (which is also an off-shoot of my video work) while what’s inside the frames is kept more to a minimum. “ She says she is fascinated with what time does to elements, and loves the feeling of peeled away layers of papers. Most of the pieces are from old sources, and sometimes include sanded paperback book covers. Some elements are from discarded hardcover books where the cloth is stripped off the cardboard. The artist said she called this piece Sociology because the word “sociology” showed up on one of the elements (from a paperback book cover) and she thought it really fit the piece.
The image above is a collage done on a book cover. It’s title “Rubbery Man-Scent” refers to text that is in the piece. Famiglietti says: “Pretty much all my pieces have names that appear somewhere in the text in that particular piece. I’m mostly using text as a visual element, though sometimes I do stray from that. Some papers in this work are vintage; some are from recent magazines; others are from book covers or the interiors of books. I try to use elements in ways that are unrecognizable from the original work itself. “
Famiglietti works in series in order to look at a particular set of materials in depth. She explored the Polaroid photograph for a period of time, experimenting with the relationship of what’s both inside and outside that iconic frame. The artist included works from the series “Massachusetts White Gentlemen” in the current exhibition. She recycled portraits from a book of historical political figures (all white men) and obliterated their faces with pieces of photos of engines taken at her car mechanic’s shop. The exhibition also includes small works (7” x 9”) from a series where she layered pieces of advertising posters with images from 1950’s Popular Mechanics magazines. The artist has another series that uses the inside of book covers as her canvas.
Famiglietti says: “I might start a work with an image or part of an image. Collage is a journey…. a rollercoaster with dips and spins, discovery, frustration, a puzzle, a fitting, a juxtaposition.” She asks: What am I saying…where am I going with this? It’s a constant uncovering, like ripping off layers of myself…. reframing and re- contextualizing, an ongoing process of coming to terms with me…what was/is expected, taken and turned inside out and transformed into what is totally unexpected.“
Visit the exhibition (October 4-28, 2018). Read more about the artist here.
See more works by the artist online at the Upstream Gallery.