Collage at the New York Studio School June 10-July 14, 2019
I visited the New York Studio School exhibition ATTACHED: Meghan Brady, Sarah Faux, Melissa Meyer and Anne Ryan (June 10-July 14, 2019). The exhibition included three small collages by Anne Ryan (1889-1954) a pioneer in collage and early generation NY Abstract Expressionist. The exhibition also included 13 larger works by 3 contemporary artists: Meghan Brady, Sarah Faux and Melissa Meyer, who are painters and also work in collage. Meghan Brady’s works are wall-sized paper pieces with painted and cutout shapes. Sarah Faux’s works are collaged canvas. Melissa Meyer’s works are watercolor assemblage.
The exhibition was co-curated by Rachel Rickert and Graham Nickson. The images below show works by each artist in the show. See all the works online here.
The image above is by Meghan Brady, titled Future Figure 1 (2018). It’s collage on paper, acrylic, and backed with Tyvek, 110 x 91 inches, image: courtesy Mrs. Gallery. This is one of two wall-sized works by Meghan Brady in the exhibition. Brady’s works are made with paper pieces that include wide sweeping strokes of paint, and large painted and cutout shapes. The curators wrote: Brady’s works …embody the bold and deliberate nature of cut and paste collage…her collages are all-consuming like a tapestry, but one that has been shattered and re-formed.
The image above is by Melissa Meyer, titled Rearrangement Series #6 (2018), collaged watercolors on paper, 15 ¾ x 12 inches. Collage is about juxtaposition and in this work, Meyer created a collage that juxtaposed hard, cut edges against soft, transparent, painterly brush strokes. Lennon Weinberg Inc. represents Melissa Meyer and the gallery is located at 514 W 25 Street, NYC.
The image above is by Melissa Meyer, titled Rearrangement Series #8 (2019), collaged watercolors on paper, 17 ½ x 32 inches.
I took the image above at the opening reception. It shows Melissa Meyer standing in front of her work titled MacDowell Sketchbook (2012), collaged watercolors on paper, 6 x 36 inches. This is one of 7 works by Meyer in the exhibition. See other works included in the exhibition here.
I wrote about Melissa Meyer in a post (January 7, 2019) titled Melissa Meyer: Drawing with Paint – Painting Collage. Meyer makes a connection between her approach to painting and the collage process of cutting, pasting, and arranging elements, and says she isolates elements while building the whole painting…and wants viewers to experience each part of a painting as dynamically as they experience its entirety. The post is about her approach to painting and collage.
The image above is by Sarah Faux and titled Let it go higher (2019), pigment, acrylic, dye and oil on cut canvas, 65 x 61 inches, image: Capsule Shanghai. Read more about the artist at the Capsule Shanghai website.
The image above is by Sarah Faux and titled Piriformis (2019). It’s acrylic and oil on cut canvas, 72×49 inches. Her gallery, Capsule Shanghai, writes: Sarah Faux merges the seemingly disparate strands of figurative representation and gestural abstraction…with flattened fields of color. Faux lives and works in Brooklyn, NY.
The image above is by Anne Ryan (1889-1954), Untitled #549, collage with papers and found scraps of fabric, 17 ¾ x 39 ¾ inches dated 1948-54. The color palette is mostly monochromatic. This is a relatively large work by Anne Ryan. Most of her works are tiny.
The image above shows one of two tiny collages by Anne Ryan in the exhibition. It’s Untitled #562 (1948-54), collage, 7 1/16 x 6 ¾ inches, courtesy of Washburn Gallery, NY. In this work, Ryan’s collage papers are soft, with torn edges. She works with fragments of different materials clustered and layered within her composition.
I wrote about Anne Ryan when I first saw her collages at the Museum of Modern Art (MoMA) exhibition titled Making Space: Women Artists and Postwar Abstraction (April 19-August 12, 2017). Read it here. Anne Ryan was born in Hoboken, New Jersey and was a self-taught writer, painter and printmaker who began to work in collage (at the age of 58) when she saw an exhibition of works by the German artist Kurt Schwitters. From 1948 to 1954 she created about 400 tiny collages. Many of her collages are in permanent collections at major museums in the U.S. but we don’t often see then in the museum galleries. Many of Ryan’s collages include string, netting, handmade papers and woven fabric that are often frayed at the edges. Her choice of materials was always meticulous, and she often included exquisite hand made papers.
AT THE OPENING RECEPTION
I took the image above at the opening reception. People (and a dog) are standing in front of Meghan Brady’s wall-size work titled Future Figure II, collage on paper, acrylic, and backed with Tyvek, 100 x 106 inches. Notice how large the work is in comparison to the people standing nearby. This is the 2ndwork by Meghan Brady in the exhibition.
The day after the opening reception, I contacted Rachel Rickert, who co-curated the exhibition for Attached with Graham Nickson. I asked her several questions. She was very gracious and shared her comments that follow.
INTERVIEW with Rachel Rickert
Q: How did you determine these 4 artists were the right artists for ATTACHED?
RR: The exhibition was inspired by a proposal from Melissa Meyer and Sarah Faux who are included in the show, suggesting a large group exhibition about Collage in the 21st Century. Graham Nickson and I decided to focus on a smaller group of artists that would include Melissa Meyer, Sarah Faux and Meghan Brady. I saw Brady’s large scale collage works at Tiger Strikes Asteroid in Brooklyn in 2018 and felt her works would be a good addition because they demonstrate the range of the medium of collage – and would add elements of bold gestural abstraction with irregularly shaped pieces and bodily references. Graham Nickson suggested adding Anne Ryan as the 4th artist because she would frame the contemporary works with an important historical precedent. Anne Ryan discovered collage in the later years of her life, and dedicated herself to this new found medium between 1948 and 1954.
Rickert added: “Each artist has or had an active painting practice in tandem with or that led them into collage. We wanted to showcase the collage side of their practice, and how the medium has led the artists to discover new, and courageous elements in their work.
Q: What arrangements did the NYSS gallery have to make for loan of art works?
RR: The New York Studio School worked with each artist to loan the works directly from them or from their gallery. We owe a big thanks to Mrs. Gallery for working with us on Megan Brady’s work, Capsule Shanghai for Sarah Faux’s, and Washburn Gallery for loaning us the Anne Ryan pieces.
Q: How engaged were the artists in details for the exhibition? Did they help determine which works would be included?
RR: Choosing artwork for the exhibition was a collaborative process between myself and Graham Nickson, and the artists. We asked the artists/galleries to submit available works that they felt would be good candidates for the exhibition, and Graham and I discussed what work would allow each artist to shine, while combining to create an interesting whole presentation.
Q: Why did you select the title Attached:
RR: Attached speaks to the physical process of collage, the parts that were stuck together to create new wholes. We wanted a title that encompasses the making and the commitment of collage final decisions—when things are attached in place.
Q: How are the artists connected to the NYSS?
RR: Melissa Meyer is a friend of the school and has taught a Drawing Marathon and lectured in our Evening Lecture series. We presented her works in the exhibition Melissa Meyer: in Black and White, December 14, 2007 – February 3, 2008. Sarah Faux was a student of Melissa Meyer’s, and Meyer introduced her to the School. Meghan Brady was not previously connected to the School, but her experimental studio-centric, concept through making process is very much in line with the School’s philosophy. The School admired Anne Ryan’s overall body of work for its intensity and beauty. Ryan did not previously have a connection with the NYSS. We were excited to share the work of these dynamic artists with our community.
Rachel Rickert is the Exhibitions and Alumni Coordinator at the New York Studio School.
Finally – It was a terrific exhibition and I was so pleased to see it and meet Melissa Meyer.
2 thoughts on “Attached: Meghan Brady, Sarah Faux, Melissa Meyer and Anne Ryan”
Great post – think I had told you that I knew Melissa Meyers years ago and have always liked her work (Ann Ryan’s too) haven’t seen Melissa in years and years – really enjoyed what you wrote and particularly like the Q & A.
Thank you Alice.