March 29, 2017
Appropriation is a very useful concept in contemporary art and essential to appreciating contemporary collage art.
I like to make funky figure collages with papers and text cut and pasted from magazines like W, Elle. Vogue, and ArtForum. I thumb through the magazines and tear out pages when the right image strikes. Everything becomes a magazine mash-up.
The image nearby is my collage titled Sex Celebrity. This work is part of a new series with female images done in collage with various cut and pasted papers. Some of the papers are straight out of the magazine. Some are painted with acrylic. Some papers are purchased in an arts and crafts store. I like to mix and match and create works that combine image, color, pattern and texture. Most of all, I am fascinated by celebrity culture and Pop Art. My goal is to create images that are edgy, sexy and provocative.
The image you see is a collage on a 12×16 inch panel showing two x two females. Everything is an image: some more, some less real. The colors in this collage are creamy white, grey-black, green and tiny touches of pale blue and red.
The large female image is a close-up of a face, eyes closed as if in a swoon. She seems ensconced in a reverie in a garden setting, surrounded by green. She’s a beauty. Her eyes are decorated and glittery. There’s a large, expensive diamond jewel floating near her nose. The jewel looks like a delicate flower or a garden bug. I’ve seen expensive jewels in fashion magazines. They’re highly crafted with multiple stones. A beautiful woman deserves a beautiful diamond. I embellished the image, but it’s straight out of the magazine.
The smaller female image in my collage is a figure in a couturier outfit and her breasts are exposed. You see a lot of that in the fashion magazines currently. She’s standing in front of the large face image. There’s a third image in black and white located on the lower left side. It may be a print by Pablo Picasso torn from an art magazine. I took it because it was the right size and in black and white. There’s a fourth image on the right side that’s a face and facing left. If you look carefully, you can see eyes, eyebrows and hair. The face is made with striped green paper. I like stripes. I like to combine abstraction, reality and fantasy.
I cut and pasted all the papers. There is no actual glitter and no jewel – just papers to simulate jewels and glitter.
Appropriation in Art
I recommend the book titled Steal Like an Artist by Austin Kleon. It’s a little book with a lot of big ideas. The author says: remix and reimagine to discover your true path. It sounds like collage.
Appropriation in art is defined as the act of using pre-existing objects or images with little or no transformation applied to them. The artist’s job is to decide how much image transformation is necessary. Some artists feel guilty for stealing an image. I’m not sure that’s true for everyone. There is so much to steal now. Images are everywhere. I think it’s how you use them that makes a difference.
The image nearby is a magazine collage I created on a 14×11 inch paper substrate. I gave it the title FlatChested. I think she is. She’s high fashion and very thin. The image is inspired by the concept Exquisite Corpse where the parts don’t have to match. Each of the 3 parts comes from a different magazine page. I liked the pink background in the middle section and the model’s long, graceful hand. Her eyes were made up with glitter and that was also appealing. I liked the wild, dark hair in the top section that has a mustard yellow background. I liked the pattern where the hair is separated by a part in the middle. The width worked well with the cut-off hat in the pink section. I liked the dot patterns in the black and white bottom section. Everything worked well. I didn’t have to add glitter because the model already had glittery eye makeup. I changed her mouth and shortened her torso. Colors are gold, pink, black and white. Her skin color is caramel brown. The papers come from W magazine. There are only 4 pieces in this collage – three horizontal rows of cut and pasted magazine papers and a mouth from a model image in black and white (from the same magazine).
My students often ask me about copyright infringement and appropriation. One student this winter had to overcome – and actually did overcome – her resistance to appropriating magazine images. I persuaded her. We talked about it all through the winter term at the Pelham Art Center where I teach contemporary collage to adults. Her career is print publishing so I understand her resistance to appropriating images. I really like her 3 portrait images. Each one is very different. See them below.
The image nearby is the 1st portrait collage Ilene created in class. Her papers included stamped drawing paper (dots) for the face, chevron-striped paper for the dress, decorated papers from magazines and painted paper for hair, eyes, nose and mouth. The collage is on 14″x11″ Bristol paper (substrate). Ilene spent a lot of time cutting papers for the hair, eyes and mouth. Notice one eye is light brown and the other eye is a black and white pattern. Ilene added green glitter eye makeup last. Her background is grey magazine paper with a printed gallery name as vertical text. I remember Ilene asked me if she should cut, cover or leave the vertical text. I said yes – leave it in – it’s not too prominent. Ilene’s 1st collage has a lot of directional movement with pattern and cut papers. The grey dots in the face are tilting down right. The vertical text is parallel to the right edge.
The image nearby is the 2nd portrait collage Ilene created in class. It’s much more abstract and the eyes, mouth, chin and hair are made with cut triangle papers. The papers come from magazine pages but do not show a model’s image. There’s a lot of dynamic energy in the way Ilene placed the cut papers. Notice some of the magazine papers are solid black, beige, yellow, blue and magenta red. Notice a few of the cut papers have stripes and crosshatched line drawing that adds texture. I love the spaces around the triangles. Ilene used a minimum number of papers but still gave us a sense of modeling the shape of a face. Notice the shading in the red papers for the lips. The way Ilene cut the papers gives a sense of volume. Notice the nose and tiny hands (each within a contrasting triangle) are actual magazine images – the only ones in this collage. Hooray for appropriation! I believe Ilene made the hands and nose small to make them less obvious as swiped magazine images. Notice the magenta-red lips are larger than either hand.
The image nearby is the 3rd portrait collage Ilene created in class based on the concept Exquisite Corpse. I believe I made my collage FlatChested (above) during the class to demonstrate how to cut magazine papers in angled, horizontal strips, using different models for each piece. Ilene’s portrait includes a woman’s eyes, ears and hairline on top and a man’s mouth, chin and neck below. She included a black round hat for the top strip in the collage, and found decorated papers in swirly patterns and bright colors for the bottom strip. I know she loves this portrait collage. I really like the contrast of one face in color and another face in black & white, and really like that one half of the face is male and the other half is female. Ilene selected images with care so that the expressions in the eyes and mouth co-mingle.
EXQUISITE CORPSE at PINTEREST
See 72 pins (images) for the Exquisite Corpse at my Pinterest site. Some of the images are historic examples. My students love Exquisite corpse as a class project and I set up Pinterest boards so they can check out images online. Read more about the Exquisite corpse here.
Today, appropriating and remixing images and media is common practice for visual, audio, and performing artists. Appropriation is a strategy. Visual artists would not be able to create the mash-up of images we create without all the images online and in magazines. They’re available, plentiful and we find them. Please share your thoughts. Do you swipe images and use them in collage? Do you re-mix other media? Tell me if you love the Exquisite Corpse.
Thanks for sharing – Nancy
September 3, 2014
Sharing Ideas and Information
I belong to an artist’s collective. We meet in each other’s homes or studios once every 4-6 weeks. We discuss current studio practice, and critique works in progress. We know each other well. Our meetings always include great food and conversation. We share tips on new materials, museum and gallery shows to see, lectures to attend, books to read, and workshops we offer or attend.
If you don’t have an artist’s group of your own, I recommend you find one or start one. The group dynamic should be cordial and respectful. Enthusiasm and energy are a wonderful bonus.
At a recent meeting, I talked about Serendipity, surprise and my fascination with the unexpected. I talked about how I love to design collage workshops, and about a portrait collage workshop I led in 2011 at the Newark Museum. The workshop was inspired by an image I found by Jean Dubuffet (French, 1901-1985). Dubuffet’s image was made with insect wings. We don’t do insect wings in museum workshops. We use magazine papers and typical collage media. I said yes when Ellen asked me to share the workshop lesson plan. Sharing is good. I appreciate Ellen’s talent, and know she has a great reputation for her classes and workshops. I sent her a link to my blog post about the Dubuffet butterfly collage workshop. Read it here.
I’m posting this blog to share the project with you. The image below is by Jean Dubuffet. It’s titled Sylvain and is 6″ wide and 10″ tall. It’s all insect wings carefully glued down. Are you disturbed that it’s made with dead insects? Dubuffet wanted to shock you.
I’ve seen contemporary collage with actual butterfly wings. Some are quite beautiful. My workshops don’t include a supply of insect wings or butterfly wings. We use magazine papers cut in butterfly shapes instead.
Notice the Dubuffet portrait (above) has eyes, nose, a mouth and teeth. At the workshop, we worked with magazine reproductions of eyes and mouths.
Here’s a quote by Dubuffet:
“What I expect from any work of art is that it surprises me, that it violates my customary valuations of things and offers me other, unexpected ones.”
Museum mini workshop project lesson plan:
Provide 12×12 inch construction paper in a deep hue (substrate paper)
Provide a free-form profile drawing on 9×12 yellow paper (template)
Provide magazine images of faces, eyes and mouths
Supply scissors, markers, glue, seam rollers and squeegee
Supply magazines so each student can select additional collage papers
Show everyone a color copy of the Dubuffet image. Discuss how the insect collage is made.
Demonstrate how to cut and paste the paper profile, then add eyes and mouth
Demonstrate how to cut and paste overlapping butterfly shapes.
I asked students to study the Dubuffet portrait and decide if they would have eyes and a mouth. I asked them to look at magazines and select papers to cut into butterfly shapes. I asked them to think about how many papers they would use and how close or far apart they would place the papers. I asked it they would glue the papers flat or leave edges projecting.
3 workshop images follow.
Notice the yellow profile in the first image faces right. See the blue outline inside the cut shape. It shows the artist’s hand. The magazine papers are multi-colored. Some are patterns and some are text. The yellow paper profile includes a large smiley mouth and two eyes. I see a sloped nose, multiple lips and chin on the right side, so this face has more than one mouth, one is smiling and one is not. There’s a front view portrait and also a profile. The features are juxtaposed, quirky and fun. I am always surprised when I see this image.
Notice the blue butterfly collage below. There is almost no yellow paper profile to see – only a small section of yellow paper peeks through on top. Notice there’s a single blue eye looking through. Can you find it? It’s surrounded by paper butterflies – a white butterfly on the left, a blue butterfly above, and a black and white butterfly below. This “portrait” is about carefully cut and pasted, layered magazine papers.
See the yellow profile in the collage below. It’s the sample drawing I provided. Notice there’s a magazine image of an eye placed where you’d expect to find an eye. There’s a red butterfly shape that defines the ear and several other butterfly shapes overlapping each other, including cut papers that look like light brown hair. I enjoy this collage for the bubble text that let’s you know this portrait has something to say!
Dubuffet used insect wings to create something unexpected. I wanted the workshop to be about Serendipity and surprise. Every collage was a surprise. The first collage juxtaposes papers to create an unexpected portrait. The second collage creates colors and shapes in layers and obliterates the portrait (except for the eye). You have to look hard. The third collage creates a personal narrative and makes you ask what the artist wants to say.
In a blog dated July 27, 2011 “Art: Learning to See” I wrote – “Becoming an artist is all about learning to see and understanding how you see.
At the end of the Newark Museum mini workshop, one student commented: it was a good workshop – What we did was learn how to see.
How perfect! That’s exactly what I planned.
Please add your comments below. Tell me how you do collage and if you work with magazine papers. Tell me what you think about Dubuffet and his insect portrait.
February 19, 2014
I noticed a familiar image at the beginning of Karen Rand Anderson’s blog–Look/see: A Little Book with a Big Punch.
It was the book – seen below – Steal Like an Artist: 10 Things Nobody Told You About Being Creative, by Austin Kleon.
It was an amazing coincidence. I planned to write about Austin Kleon in a follow-up blog to the first Be Inspired: Keep an Art Journal.
I took the little book down from the shelf, and began to read.
What I like best about Austin Kleon is he thinks like a collage artist. He says: next time you’re stuck, think of your work as a collage. Steal two or more ideas from your favorite artists and juxtapose them (collage is about juxtaposition). He recommends you keep a swipe file – another term for a notebook or journal.
I opened a favorite link (saved in a desktop file) to his blog dated Feb 10, 2010: 25 Quotes to Help You Steal Like an Artist.
Here are 3 quotes I really like:
Louis Armstrong: “my hobbie (one of them anyway)…is using a lot of scotch tape…My hobbie is to pick out different things during what I read and piece them together and make a little story of my own.”
Dizzy Gillespie: “You can’t steal a gift. Bird (Charlie Parker) gave the world his music, and if you can hear it you can have it.”
William S. Bourroughs: “All writing is in fact cut-ups. A collage of words read heard overheard. What else?”
In case you don’t know about Austin Kleon, he does a fabulous TedTalk.
Keep a Swipe File
Many artists keep a swipe file as a book or in a folder.
Typically, my papers are not pasted into a journal but left in a box. The image below includes swiped papers from recent issues of ARTForum, Art in America, and the March 2014 issue of Harper’s Bazaar that is filled with page layouts that marry fashion and contemporary art. It’s the hot thing now.
Carry a Notebook and a Pen Wherever You Go
Listen to Austin Kleon. He recommends we carry a notebook and a pen with us wherever we go. He says: get used to pulling it out and jotting down observations. Add comments on what you observe, copy favorite passages out of books, record overheard conversations., and doodle when you’re on the phone.
I’ve started to play on Pinterest. It’s a way to collect images into a digital journal. On Pinterest you “pin” images to “boards.” I love it because it’s totally visual. I’ve created boards in different categories like art journals, paper collage, Romare Bearden, mostly red, and black and white. See all the images on my art journal board.
The image above is a lovely drawing and collage on a two-page open notebook by Olenka that I pinned to my art journal board (pinned from sodalicioushop.blogspot.com). I love how the artist played with geometric shapes and calligraphic lines with black ink. I love how the white journal paper was left pristine, and how the artist embellished the drawing with delicate pastel colors, tiny geometric shapes and letters that float inside triangles and circles.
The image above is a painting and collage on 2 pages in an open notebook by Jeffrey DeCosta. I love it because it’s not slick. It’s gritty and painterly. The left page has the block numbers and letters. You see 34 in red, and the word SAVE and the number 0 in black. The opposite page is an abstract painting with smudgy black dots covering a background in red, yellow blue and green. Some of the paint migrated to the opposite page. I was drawn to this journal image because I like the way the painted dots and collage letters communicate with each other.
Find more images at my Pinterest art journal board.
The image above is untitled and no artist is given credit (sometimes a problem at PINTEREST). Handwritten words march across two pages in an open notebook. The text creates a negative space (the white paper) that becomes a large letter B on both sides. The journal pages are created with pen and ink in small and large letters. I see the words: “my lack of understanding” and “help” and the tiny hand-written text on the left is not legible. I wonder if it’s all about the letter B.
See all the pinned images on my Pinterest letters board.
A Simple Idea – Observe, Collect and Comment
Keeping a journal is a simple idea: Observe, collect, comment, make art and learn in the process. A journal is a way to keep track of what you’ve swiped from others.
I do the same thing and tell my collage students to collect images and keep notes. If the image is too large for your notebook, scan or photocopy and reduce in size to fit your page. Take pictures with your camera phone so you include your own images. Put everything in folders, or a ring binder, scrapbook, plain notebook or fancy art journal.
Take notes on why you swiped it, what it means, how you think you will use it.
If you like, you can change your mind, reinterpret your images and rewrite comments.
Austin Kleon says: See something worth stealing? Put it in the swipe file. Need a little inspiration? Open up the swipe file.
I am troubled because I don’t keep a journal. I have journals that are mostly empty. I collect images, make drawings, write comments, but don’t put them into the journals.
An artist who makes journals suggested I create the journal as loose pages and make the pages into a book. I saw an image that showed a book with pages in all different sizes. It was funky and pages were sticking out in all directions. But it was bound and a book – and it’s a definite possibility.
Another possibility is to collect images on Pinterest boards, and translate (interpret) and draw the images onto journal pages. I like that idea. I can pin and I can draw.
What inspires you? Do you keep a journal? Do you pin images at PINTEREST? Please contact me with your comments and share your pins.
November 8, 2013
We haven’t got enough PAPER
I teach a collage class at the Pelham Art Center in Pelham, NY. We have a new collage project each week. Almost every project has paper as the primary media.
We are half way through the fall term and have run out of magazine papers – our primary source for collage. I supplied the magazines at the beginning of the class term, and the students have depleted the supply. We need more magazines.
I would like the students (or a donor) to replenish the supply. I don’t want junk magazines. Cheap paper is a waste of time. It’s very hard to create collage with cheap paper. It curls when you apply glue. It’s hard to cut and tear. It doesn’t hold up over time. It looks cheap.
I want students to work with quality magazines papers that are printed with rich color, offer strong graphic design, and use creative text. Replacing the ArtForum magazines would cost me much more than I want to spend. I would like every student to donate or find a donor neighbor. So many people toss away magazines or put good magazines into recycling bins. Collage artists recycle. We need good magazines.
Magazines I like include art, photography, internet, home decor, fashion, garden design, nature and more. The paper quality is important. ArtForum, ArtNews and Art in America have good paper. I like Vogue, Elle, Elle Design, W and Interview magazine. National Geographic is excellent for paper quality, color, nature and animal images.
I will ask my friends and neighbors for donations. I would like my students to do the same.
I’m a snob for good paper. In my own collages, in addition to magazine papers, drawings, and my painted papers, I use artist hand-made imported printmaking papers because I love the range and contrast of whites. A lot of my white papers go in as the background layer in a collage.
Good Paper is Expensive. Good paper makes a Good Collage.
Another Way: Create Our Own Papers for Collage
In recent class projects we created large collage papers with multiple small magazine papers. See the first image – a grid collage above. It’s a substrate for a figure collage. In another class, we created a crazy quilt collage with overlapping patterned papers. See my sample image below in red, black and white. I will add another layer.
In a third class, we created a background collage for a landscape. We used pieced papers from a lot of different magazines.
I asked the students to keep the originals and reproduce multiple copies in black and white and color. The copies become the resource media for additional collages: as collage paper and as a paper substrate (bottom layer). Papers can be reproduced from the original as needed. If the original collage is copied digitally, it can be reproduced in a copy shop in very large format. You can play with the image and color in PhotoShop.
I like to include drawing with collage. See the 3rd image above that I made on artist paper and stamped all over with a bird pattern. I cut and paste small sections whenever I want line drawing in the collage.
I included two images that are computer scans of a rug (advertisement) from a design magazine. I like the diamond pattern and needed one to be positive (black on white) and one to be inverse (white on black).
4 Goals for the Class
Create projects that create (generate) papers. Create projects that repurpose and embellish papers. Discuss how to sort and organize collage media. Discuss why it’s important to collect, create, reproduce and build inventory for collage – because it saves time and money, it makes your media personal (you can pick the colors you like), and it’s much better to have all your papers available when you are ready to work .
Please add your comments and suggestions on how to hunt and gather materials for art projects. Thank you for sharing.
February 19, 2013
Thursday, Feb 14 was Valentines Day. I hope everyone was able to share the love.
I was in NYC that day walking on Fifth and Madison Avenues from Grand Central Terminal to 34th Street. All the shops, department stores, and restaurants had red heart-shaped helium-filled balloons and red flowers in tubs in their windows or just outside on a sidewalk table.
People were walking hand in hand. Some were carrying flower bouquets to take to the office or home. I saw a little boy holding flowers wrapped in clear plastic. He held the flowers in one hand and held his father’s hand in another. I imagine he was bringing flowers home to his mother.
NYC was one big Valentine.
The image below is one of four collages I am sharing in this blog. All four images are titled Barneys because the collages exist in a Barneys New York shoe and boot catalog.
I received the catalog in the mail, and thought it was a perfect way to recycle consumer media with collage. The catalog is still a work in progress. I sometimes show the catalog to my students when I discuss how important it is to recycle postcards, catalogs, books and junk mail. It’s so easy to add images to existing backgrounds. And the paper is free.
Being in NYC on Valentines Day made me think about sharing the love, and that made me think about important blog advice from a great source – Alyson B. Stanfield and her Art Biz Blog. She offers great tips on marketing (and more).
I’m an expert at collage and want to share my ideas about the art of collage. In 2009 I started to write my blog. I was a newbie at blogs.
The 1st lesson was titled Who I am Writing For. I wrote about a friend (Sylvia) who loves design and creates jewelry. Sylvia says I should include more personal content. If you want to read the blog, here’s a link to that post…
The 6th lesson was titled “Cure Yourself of Blog Envy” and asked us to find blogs that inspire us – in my case – artist’s blogs where the content and images are presented beautifully.
I included a link to Gwyneth’s Full Brew. The artist writes “… I am documenting the intersection of art-making and art-seeing, daily life in New York City and…my drawing surface of choice since 2007 is the cardboard coffee cup.” Gwyneth Leech has had incredible exhibition success with her up-cycled coffee cup installations. She also takes wonderful photos of NYC and documents great places for a cup of tea or coffee.
At Blog Triage, I learned the best blogging serves your reader and includes links to useful information. The course included 20 assignments. Assignment #10 was titled “Show Some Link Love” – about including good links.
I always remind myself to share the links and share the love.
The image below is another one of four collages titled Barneys pasted inside the catalog. One page is about night and the other page is about day. The red lips are a huge kisser.
Sending comments is another way to share the love.
I got email recently (Feb 10, 2013) from Douglas Beaudry. He has a blog titled The Bearing Edge and designs and sells skate-influenced custom jewelry (wrist cuffs made with leather fashioned with recycled derby and skateboard bearings) – really cool.
He commented on an old blog that I posted November 30, 2010 in which I asked and answered a question.
Question: How Are the Best Blogs Like a Great Collage?
Answer: The best blogs are good looking, engaging, multi-media, explore new ideas, and like the best art, invite you to share the experience!
That’s my concept for really good collage. Collage is layered.
Douglas Beaudry commented: What a great blog post and certainly served to clear my brain a little bit.
I thanked him for the compliment. I don’t know how my post cleared his brain.
I re-read the blog How Are The Best Blogs…. Basically – it included a lot of links and was all about sharing links.
The original blog included a link to the artist Robert Rauschenberg who had an exhibition at Gagosian Gallery in NYC. I included a link to a Nov 26, 2010 NY Times Holland Cotter review of the exhibition. Both links are repeated here. The Gagosian Gallery link connects to works by Rauschenberg. The NY Times link is so well written it is still valuable to read. Robert Rauschenberg is one of the most important artists of the 20th century. He has influenced so many artists who followed.
The Barneys 4 collage seen below is in black and white and in color over a background that turned from amber yellow to bronze. I used magazine images that were printed in color and black and white. The models are a mix and match of men and women. I wanted the focus on the eyes. They are looking at me and you.
If you think you want to update or improve your blog (or want to start to blog), I recommend the self-study Blog Triage workshop. Check it out… There are so many ways to do a blog, depending on the audience you are writing for.
Following are comments about the media I use.
My substrate (background for the collage) in these 4 works was a high fashion Barneys New York catalog I got in the mail. I wish I could get more. I only got one.
I added text and line drawings because I love words, letters and graphic patterns and love to mix drawing, pencil, ink and printed media.
I thought about how to marry the old image with the new image and how the content changed with the overlays.
I thought about how the 2 pages had to work together and how all the pages had to work as you leafed through the catalog.
Collage is about juxtaposition.
I love juxtaposing images and making it into a commentary on our consumer culture. I wanted the images to become edgy.
Thanks for reading and thanks for your comments. If you have questions about collage, you can email me.
December 21, 2012
I planned to post a blog about my 5-day trip to Art Basel Miami Beach (Dec. 5-9, 2012). It was an amazing opportunity to see contemporary art.
I couldn’t write about the wonderful art in Miami, because I am upset about the tragic events that took place at Sandy Hook Elementary School in Newtown, CT last week.
Because blogs need to be posted regularly, I found another way to get past my writer’s block – by going to my studio and making a sample collage for a workshop I will lead in April at the Newark Museum. It was something to do, and after I did it, I knew I could write about it.
Making art makes me feel happy (happier).
Stargazing, Collage and You
I painted papers and collected magazine papers in bright colors and geometric patterns for the sample collage. I wanted to create a palette of painted papers in green-blacks, reds, and red-blacks and coordinated magazine paper in red and black stripes.
The Newark Museum workshop is titled Stargazing, Collage and You. It’s scheduled for Saturday, April 27, 2013 from 10-4, and is offered in conjunction with the Museum exhibition African Cosmos: Stellar Arts (February 27-August 11, 2013).
The African Cosmos exhibition is currently at the Smithsonian National Museum of African Arts in Washington DC and will travel to the Newark Museum.
See the Smithsonian website for images and wonderful text about the exhibition.
The website introductory page shows an image of a painting by the artist Gavin Jantjes (b. 1948, South Africa). It’s acrylic on canvas and was purchased by the Museum with funds provided by the Smithsonian Collections Acquisition Program (see image below, image courtesy: the Smithsonian National Museum of African Arts).
The artist rendered dancing figures in a style similar to ancient rock paintings from southern Africa.
The Smithsonian website includes many images, including the image below – the stars of the Pleiades cluster, also know as the Seven Sisters (seen from the Cassini spacecraft. Image: NASA). Only a few of the stars seen here are visible to the naked eye on earth.
The Smithsonian website also includes links to information about celestial deities in the time of the Pharaohs, cosmic models, celestial guidance, and more. You will also see African sculpture.
Sample Images: Pieces for a Collage
The image below is a sample collage I prepared with magazine and painted papers, titled Dancing With the Stars. The papers are glued onto 14×11 inch Bristol paper (the substrate).
Following are sample collage papers.
I plan to demonstrate different ways to organize, paint and embellish papers at the workshop. We will use ordinary materials that are inexpensive and easy to find. The image below is green construction paper painted with a mix of green and black acrylic paint applied with a palette knife.
I will bring additional samples to the workshop and demonstrate the process so that participants can create their own palette of papers for collage. Notice the texture in the painted papers, and makes the final collage much more interesting. We save a lot of money when we create our own papers. We also make our work more personal.
On the red image below, I made scribbled marks with 3 crayons (held together in my hand) on plain red construction paper and painted over the scribbles with acrylic. It’s a crayon resist process.
The image below is red construction paper painted with red acrylic paint and overpainted with a second coat of black acrylic paint that was scratched into while the black paint was still wet.
I will encourage people to bring their own magazines to the workshop, especially if they want to use specific imagery in their collage. I will discuss how to play with images, textures and patterns. Collage is about juxtaposition. Many times, people don’t see the potential of images until the images are cropped. I will demonstrate how to cut, tear and assemble the papers into new images.
I think the photo of food (below) came from Real Simple magazine. I’ve included it here to demonstrate that all images have possibilities.
The image below includes small pieces from several different magazines, including ArtForum and W. I planned to combine the triangles into points on a star to collage into the background. The funny face is assembled with about 5 pieces of paper and is only 2 inches high. It was going to be the head of the figure stargazing at the Pleiades Constellation.
The magazine images below are backgrounds papers cut form fashion photos from W magazine. I wanted stripes in reds and blacks. The fashion magazines now show a lot of geometric patterns.
The striped papers became the body, arms and legs of the figure in the collage. The black paper on the bottom of the image (above) was cut up into the small stars for the constellation.
In addition, I drew 5-pointed stars freehand and cut them out, cut out a crescent moon, and glued them around the figure onto the collage. It was a challenge to glue down the tiny white stars.
I planned the collage in advance and did 2 simple drawings to determine the size and shape of the figure, the placement and direction of the of the arms and legs. I wanted to know in advance how tall the figure would be in relation to the background paper, and the size of the sky in relation to the size of the figure. See the drawing above.
I planned to make the background in two sections and cut a piece of magazine paper for the top portion. It’s a section of an abstract painting reproduced in ArtForum magazine. The bottom section is painted paper. I created the figure from painted and magazine papers cut into circles, triangles and angled rectangles. The figure was placed in sections (arms first) and glued on top of the background papers. After the figure was in place, I added a crescent moon and 5 pointed stars onto the background around the figure. The tiny cutout shapes that became the Pleiades constellation were added last.
See the finished sample collage above.
I hope you check out and are inspired by the images at the National Museum of African Arts website or see the exhibition at the Newark Museum in NJ. It will be amazing. If you want to take this workshop, please contact the Newark Museum
November 15, 2012
I love to use text as a main element in collage. The text are lines and then I add drawing.
I find text in art magazine and also in books. I don’t like to tear pages from books, but don’t mind pulling pages from magazines. The magazines are a great resource for collage papers, and some art magazines have a lot of pages.
When I find text with a large typeface, I cut the text horizontally so the letters are split into long strips, and the words are not easy to read.
Recently the class I teach at the Pelham Art Center asked to explore using magazine pages with text for collage.
I brought the image (seen below) to the class. It’s a small collage. The horizontal strips are all split and layered magazine text.
The images below are 2 of my pen and ink drawings with collage from the Strata Series. See all 16 images in the series…
The Strata series is about layering, with a reference to landscape, and a little bit of play.
NOTES ON THE CLASS PROJECT
I suggested the class cut and tear the text into thin horizontal strips. Cutting would create hard edges. Tearing would create soft edges. I suggested they organize the papers into visually compatible groups in related colors. I suggested that some strips should touch or overlap.
I shared beautiful black, silver and white printed paper with wavy lines, and showed them how to create a soft, torn edge by using a brush dipped in water that made it easy to tear the paper. The reverse side of the hand-made paper is a beautiful dense black.
I shared pages of printed text and gave them copies of magazines to look for more text.
The images below are by the class members. It was a challenging project and I think everyone was pleased with the collages they created in one evening class session.
Do you think the collages look like landscape strata? Do you like the text they selected? Are you inspired t0 make collage with text?