Do you use PINTEREST?

I’m passionate about Pinterest because it’s so visually inspiring.  I collect Pinterest images for the collage classes I teach. I design collage projects inspired by Pinterest images, and encourage my students to visit my “boards” online.

Julia Child quote

Julia Child quote

The image above – a quote by Julia Child – says: “Find something you’re passionate about AND stay tremendously interested in it.” That’s good advice for a fulfilling, creative life. I was drawn to the pin immediately for the words and also for the white on black design. It’s pinned to a board titled black and white that includes paintings, drawings, sculpture and more by great contemporary and 20th century artists. See images here. Join Pinterest if you aren’t a member. My last post – CHILDREN MAKE ART – was about an after-school workshop project with cut and pasted papers at the Williams Elementary School (Mt. Vernon, NY). I found the sunshine image at Pinterest and designed the project with all papers included. See the 7 step lesson plan for the sunny face collage here.

Collage by Rosella

Collage by Rosella

See Rosella’s collage above. She was one of twenty 4th and 5th grade students at the one-hour workshop. Notice she created a background with multi-color Sharpie markers that contrast with her collage papers. She created a collage face with cut and pasted papers for the nose and eyes, and cut triangles for sun rays. Papers are bright yellow, pink, purple, lime green, blue and crayon red. Notice all the stripes and polka dots. Rosella is a very dedicated artist and included a lot of collage papers and details. See the original Pinterest sunshine inspiration and more kid’s images here.   The image above shows another Pinterest pin – a sunny face – with text: “Make My Day.” The sunny face is on top, but the emphasis is on the colorful block letter text on a yellow background.  Notice the letters are triangles, rectangles and semi-circle shapes. Each shape is a distinct color: green, purple, red, teal blue, and orange. Notice the colors change as shapes overlap. Everyone – kids and adults – loves to play with letter shapes. I will design 2 projects. The kids’ workshop will emphasize overlapping shapes and how the colors change when the shapes overlap.  We’ll explore color transparencies with tissue paper. I will design the adult’s workshop so people explore re-contextualizing the words “Make My Day” and play with vintage Hollywood, and Clint Eastwood images as Dirty Harry.

Portrait Collage, John Szetaker

Portrait Collage, John Szetaker

The image above is by the artist John Stezaker.  I’m a fan of his contemporary portrait collage. Notice he juxtaposed two black and white photos that are probably Hollywood headshots. He cut and pasted the images to make a single composite image. Notice one photo is smaller and is pasted down so the top projects above the photo under. I pinned this image to my board titled portrait collage. See portrait collages here. I’ve included images that range from whimsical to semi-abstract to historic works by the dada artist Hannah Hoch.

Pretty People and Pithy Quotes

Typical Pinterest boards are about food, fashion, and children. Quotes are very popular. Since art is my calling, I collect arty images and pin work by favorite modern artists (Henri Matisse’s photo shows him cutting paper for collage). I organize pin boards as portraits, art journals, mixed media, and geometric shapes, including circles, triangles, stripes, and squares. The flavor is contemporary, geometric and abstract. See all 17 boards here.   I’m very fond of quotes – more and more – and  started 2 boards with quotes. One board is titled “Words to Remember.” One board is titled “Typography in Art.” The image below is all cursive lettering with the statement: “All my BEST friends eat SUNSHINE.” That’s a great comment and makes me smile. Notice the hand-painted letters are black on white and stacked vertically. As a collage project, I would use the quote as a jumping-off point and ask people (or kids) to cut out images that remind them of friends, eating, and sunshine (happiness).   How would you interpret best friends who eat sunshine? Would you include words in the design?  Would your collage be all cut and pasted images? Would you emphasize faces, food or letters? How would you create the letters? Kids like to cut individual letters and paste down one at a time. If you paint letters, I recommend you paint individual letters on medium weight paper, allow the paint to dry, and then paste letters down. Notice the letters are different sizes and some of the letters are lower case and some are capitalized.

Is it a smile or frown?

Is it a smile or frown?

Notice the image above. I see a frown and also see a smile. You decide how you view it. So many people add a smiley face to end sentences in email. This one makes you stop and think. It makes me smile.     The image above is a quote from Gabriel Garcia Marquez – “No Matter What, Nobody Can Take Away the Dances You’ve Already Had.” This image would be a great collage project for a girl who loves to dance. The collage could include cut and pasted magazine images of dancers and dancer’s shoes. It would be a different collage project for the Carrie Bradshaws (see cable TV – Sex and the City). She collects top designer shoes. That’s a major theme of the show. Pinterest shows a lot of shoes and images of models in high fashion shoes. Women love their shoes. Imagine a collage showing rows and rows of high fashion, outrageously beautiful shoes. You can find those images on Pinterest. That would be a statement.     There is etiquette on Pinterest. The image above says: “If you want to honor someone on Pinterest please credit their work. So much art it not credited. Please put a name to the art.” I found the pin at Diane Dodson Barton’s site and pinned it to my quotes board. She has 29 boards and 10,205 followers.

FINAL THOUGHTS

    The above image is a quote – “Creativity Takes Courage” by Henri Matisse written in his own script.  How wonderful to see the hand of the artist in his own words. A photo of Matisse (in a wheelchair) cutting papers is on the cover of my board titled “Favorite Modern Artists” (79 pins) – including Matisse, Paul Klee, Louise Bourgeois, Joseph Cornell, Kurt Schwitters, Jean Arp and more. Every one is inspiration.   I have a Pinterest board and show images of my own art that I re-pin from other people’s boards. I am always surprised to see where the images land, and always happy when I see my name credited. See my board titled nikkal studio collages here.   Please add your comments. Let me know if you love Pinterest – or you prefer Instagram.

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COLLAGE ALL MIXED UP

July 12, 2012

The Exquisite Corpse was the theme for last week’s collage class – Embellish An Image Play With Collage – at the Pelham Art Center.

What is the Exquisite Corpse?

It’s a multi-part poem or image.

The Exquisite Corpse was very popular in the early 20th century with Surrealist poets and visual artists.

Exquisite Corpse is a collective collage (a group project) with words or images. In France, it’s called Cadavre Exquis.

If the collage was poetry, each person wrote a phrase on a sheet of paper, folded the paper to conceal what they had written, and passed the paper to the next player to add a new phrase.

If the collage was visual art, each person drew on a sheet of paper, folded the paper to conceal their drawing, and passed the paper to the next player. No one was allowed to peek until the game was completed and the project was complete.

The image below is in 4 parts and from Tammy Christel’s Jackson Hole art blog (Abstract Art in Wyoming at the J.H. Muse Gallery).

4 part exquisite corpse

An Exquisite Corpse image could be disconcerting – and it was meant to be. The Surrealists held the view that human nature is irrational fundamentally. Surrealist artists include Max Ernst, Salvador Dali, Joan Miro and Andre Masson.  Read more

See the image below by Max Ernst (German, 1891-1976). Ernst titled his collage Santa Conversazione (1921) and assembled the collage with fragments  of images from encyclopedias, commercial catalogs and photographs. He included birds and a button. The juxtaposition of images and the title make the work confrontational and give it the Surrealist edge.

Max Ernst, Santa Conversazione

I brought the book ALL MIXED UP by Carin Berger to inspire the class. It’s a mix and match book.

The image below shows one layout page in the book with the words Robot Balances Playfully opposite illustrations. The author says the book allows you to create over 13,000 characters. I like the selection of words. I think they can jump-start the creative collage process.

pages in All Mixed Up by Carin Berger

ROBOT BALANCES PLAYFULLY

I did my own sample collage called Robot Balances Playfully. See image below.

my collage

I had an image of machinery – a meter? It always knew it would become a face.

I played with the size of the original, scanned and reduced it so it would fit on the paper background (it’s the inside lining of a business envelope). I cut out a mouth from a Vogue Magazine model’s face. I cut out 2 eyes (actually they were breasts in a Picasso abstract painting reproduced in a recent issue of Art in America Magazine).

That became the top section – a Robot’s face.

I found an image of a seesaw online and added color to the black and white background.  I like the fact that it’s graphic. It became the middle section and represents the robot’s midsection – and the word Balances.

I found an image of clown’s shoes online and added them to papers for the bottom section. The clown’s shoes stand in for the word Playfully.

Even though the class asked to do the Exquisite Corpse project, they didn’t do it and they didn’t finish the class project.

Finding images and cutting out images was time consuming (it takes a lot of time to find the right images). Many of the images were the wrong scale – too large.

I spoke with students about how to begin their collage and recommended placing background papers first to define the 3 separate segments. I thought it would help get organized.

I think it is much easier to begin a collage with background papers and then add images. They all wanted to work on the stark white substrate paper.

A COLLAGE CALLED TROUBLE

The 3 images below are collages in a series titled Trouble. Each is a variation on the preceding one, and each has one element in common – the torso (middle section) is the same.

my collage titled Trouble 6

I found background papers in art magazines. I found figures, faces, hands and shoes in fashion magazines. I found text everywhere. I resized images to get the right scale. I scanned composite images, printed them on good paper, and added more collage in smaller or larger scale.

my collage titled Trouble 11

The image above includes a grid of drawings in the background with the figure and text collaged over.

my collage titled Trouble 2

I am reading a book now titled Dada and Surrealism: A Very Short Introduction,  by David Hopkins (Oxford University Press). It’s an historic overview and a good read. The author says for many people Dada and Surrealism represent not so much movements in 20th-century art history but “modern art” incarnate – a defining modernist sensibility. Artists assembled new structures from bits of paper (Kurt Schwitters, 1887-1948) or from pre-existing objects (Marcel Duchamp, 1887-1968).

In 21st -century America, supersaturated with imagery and concept, Duchamp and the readymade aesthetic still rules.

ASK ME.

In my last post, I wrote about the artist Jean (Hans) Arp. He made collage according to the laws of chance.  He dropped squares of paper onto paper and gave the works titles like Squares Arranged According to the Laws of Chance. The image below is made with cut and pasted papers, ink and bronze paint (1917), image courtesy of the Museum of Modern Art, New York, NY.

Jean Arp, Squares Arranged According to the Laws of Chance

Arp was a founding member of the Dada movement that started in Zurich, Switzerland in 1916.  A lot of Dada was about the laws of chance. The movement started as a political protest and dissipated after the close of World War 1. Many of the artists (Jean Arp, Kurt Schwitters, and Max Ernst) left protest for studio practice and went on to build stellar art careers.

Marcel Duchamp (1887-1968)

I am fascinated by Dada. I think it’s resurgent, and think a lot of contemporary art is inspired by Dada.

Dada and Marcel Duchamp

Dada is still with us because of the artist Marcel Duchamp.

Duchamp was not a member of the Dadaist movement (he resisted joining groups). But, he was a natural Dadaist all his life.

The Bride and the Bachelors

Read Calvin Tomkins book The Bride and the Bachelors: Five Masters of the Avant-Garde (Duchamp, Tinguely, Cage, Rauschenberg, Cunningham). I bought the paperback, first published in 1965.  The first chapter is about Marcel Duchamp (French, 1887-1968).

Duchamp said: “Why worry about art when life is what matters…Do unto others as they would wish – but with more imagination.”

Duchamp invented the term readymade – see the image below of “Bicycle Wheel” (1913/1964)

Marcel Duchamp, Roue de Bicyclette/Bicycle Wheel

Calvin Tomkins: Unlike the Surrealist objet trouve – a common object chosen for its accidental aesthetic value, the readymade has no aesthetic value whatsoever (according to Duchamp). Tomkins adds: therefore, it functions in a sense as a derisive comment on all art traditions and dogmas.

Read more  about Duchamp at the Centre Pompidou (Paris, France) website.

Every art movement that uses everyday objects today can thank Duchamp for leading the way.

One of Duchamp’s most famous readymades was titled “Fountain” – a porcelain urinal turned upside down with the signature R. Mutt.

Marcel Duchamp, Fountane/Fountain

Duchamp (and Joseph Stella) sent the sculpture to the 1917 exhibition of the Society of Independent Artists at the NYC Armory show. Duchamp was a founding member of the Society. The work created a furor.  The hanging committee refused to exhibit the readymade sculpture.

Calvin Tomkins wrote: Duchamp commented slyly: The only works of art in America are her plumbing and her bridges.

Fountain Art Fair, New York 2012

Flash Forward to 2012 and the Fountain Art Fair (March 9-11) at the 69th Regiment Armory at Lexington Ave. and 25th Street during New York Art Week.

This is the same 69th Regiment Armory where Marcel Duchamp famously hung his “Nude Descending a Staircase in 1913 (showing alongside contemporary artists like Edgar Degas, Edvard Munch and Pablo Picasso) – Duchamp would later secure a place in art history with his readymade (urinal) titled FOUNTAIN (1917).

In March, I participated with a group of 72 artists in a salon-style installation at the Fountain Art Fair with a group called Hullaballoo Collective – at booth E212. The collective was organized by Bernard Klevikas and several other artists who live and work in Brooklyn, NY. I exhibited 2 collages.

Here’s a link to the BlouinArtInfo blog with the title: Fountain Artists Honor Armory History with Playful Nods to Duchamp…

One Hullaballoo member made the connection from the Fountain Art Fair to  Marcel Duchamp, exhibited a work titled Idol Inaction, and arrived at the opening reception wearing a Duchamp jersey. See image of Brian Goings below at the Hullaballoo booth.

Brian Goings at Hullaballoo

Bernard Klevickas wrote the Hullaballoo statement:

Hullaballoo Collective is a diverse group of artists who have come together through social media to present a salon style exhibition at the Fountain Art Fair… We are artists. We are part of the egalitarian zeitgeist, the energy that underlies the new century and that uses new tools to reach broad audiences. There’s a Hullaballoo website. There was a lot of buzz.  The website shows works by the artists in the Collective.

The image below is my work, titled Recycle 1, collage, assorted papers recycled from old monoprints, 22×18 inches, cut and assembled in random order.

Nikkal, Recycle 1, collage

I don’t know if this year’s downtown Armory show was different from recent years. I’ve read reviews that say the show has changed and is getting upscale. I was expecting the space to be raw and unfinished and the art to be young and edgy.

According to Fountain organizers, this year’s show attracted over 10,000 visitors in 3 days. On opening night, there was a line around the block to get in – and we did get art critics Jerry Salz and Roberta Smith at our booth. Read about the record attendance

WHAT WOULD DUCHAMP SAY?

What would Duchamp say? I know he disdained the confluence of art and commerce (but managed very well – thank you!). some art critics say he gave up art for chess, but his readymades were re-made in the mid-20th century, shown to great fanfare, and his work is now known around the world.

I bet he would love the idea of social media and the possibilities of the Internet.

What do you think Duchamp would do about Social Media?